Building the World's Largest
Schupmann Telescope
by Scott Milligan, Springfield Telescope Makers
Page 3 of 7
Fabricating the Optics: Continued
Figure 4: Measuring wedge
on the corrector.
As soon as the curve generating marks had been removed from one side, the lens blanks were measured for wedge
error and center thickness. Wedge errors were marked for orientation, and then removed by applying hand pressure
to the high side of the wedge with the lens on top and the spindle rotating at 10-15 rpm.
A Word Concerning Tolerances
At the time when tolerances needed to be set for our project, I had neither the knowledge or the analysis
tools to investigate the sensitivity of the Schupmann design; I therefore played it safe, and established tight
tolerances on every construction parameter, to assure a successful outcome. Having since gained some experience
in the field of lens design, I decided to perform a hindsight-aided tolerance sensitivity analysis.
Allowing for the use of suitable compensators, I found that radius of curvature errors of plus or minus .1%
on all surfaces produce essentially no image degradation; these tolerances could, in fact be doubled without
harmful effect. Wedge errors of .005" are easily tolerated (because the design is optically "centered" at the
adjustable field mirror), and the center thicknesses can be off by .05" to .10" (or even more in the case of
the big lens.) Try building a conventional doublet or triplet to these tolerances, and you will quickly find
that image quality drops to zero. The only tolerances which matter to the Schupmann are the figure accuracies
and smoothness of the optical surfaces! This is particularly true of the reflective (convex) surface of the
L2 corrector, where a given figure defect, because the in-glass reflection, introduces a corresponding wave front
error of almost six times greater magnitude than would be the case if the same defect were located on one of
the refracting surfaces.
Polishing
Figure 5: Phil with
a freshly made lap
for L1.
Once the fine grinding operation had been completed for both surfaces of a lens, pitch laps were poured onto
the same radiused aluminum tools that had doubled as lens holders during the fine grinding operation. A mixture
of roughly 2 parts "Gugolz # 64" to 1 part "Gugolz # 73" pitches was used; the working temperature was always
between 68 and 72 degrees Fahrenheit. The laps were poured onto the heated aluminum disks, and after a suitable
cooling period, were pressed against the corresponding (wetted) glass surface in the usual way.
Since the definition of a "suitable" cooling period varies with many factors, I'm afraid that there can be
no better guide than experience to judge when the lap is ready for the initial pressing. Groove patterns were
laid out using a grease pencil and straightedge, and then the grooves were cut-in using a razor blade. No rubber
mats or pitch "molding" techniques were used, however we did find that irregular fracturing of the groove edges
could be minimized by cutting the laps under water. We also found that the quality of the contact made by the
lap and (particularly) the large lens during polishing could be markedly improved if the pitch facets were either
divided in two (by cutting additional grooves), or else by LIGHTLY scoring the pitch facets diagonally with
a razor blade. Pitch thickness of the finished laps was about 1/4" for the big lens, and maybe a bit less for
the corrector.
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